Executive Development Programme in Music Tech and Cultural Heritage
-- ViewingNowThe Executive Development Programme in Music Tech and Cultural Heritage is a certificate course designed to bridge the gap between music technology, cultural heritage, and business. This program emphasizes the importance of music technology in preserving and promoting cultural heritage while providing a solid understanding of the business aspects of the industry.
5,959+
Students enrolled
GBP £ 140
GBP £ 202
Save 44% with our special offer
ě´ ęłźě ě ëí´
100% ě¨ëźě¸
ě´ëěë íěľ
ęłľě ę°ëĽí ě¸ěŚě
LinkedIn íëĄíě ěśę°
ěëŁęšě§ 2ę°ě
죟 2-3ěę°
ě¸ě ë ěě
ë기 ę¸°ę° ěě
ęłźě ě¸ëśěŹí
⢠Introduction to Music Tech & Cultural Heritage – Overview of the music technology landscape, its impact on cultural heritage, and the importance of preserving and promoting cultural diversity through technology.
⢠Music Information Retrieval – Techniques for extracting, analyzing, and organizing information from music, including metadata, melody, harmony, rhythm, and timbre.
⢠Digital Audio Processing – Fundamentals of digital audio processing, including sampling, quantization, compression, and synthesis.
⢠Music Coding & Algorithms – Programming concepts, languages, and algorithms used in music technology, including MIDI, OSC, and Max/MSP.
⢠Sound Design & Synthesis – Techniques for creating and manipulating sounds, including additive, subtractive, granular, and physical modeling synthesis.
⢠Music Analysis & Visualization – Methods for analyzing and visualizing music, including sonification, data sonification, and data visualization.
⢠Music Copyright & Licensing – Overview of music copyright laws and licensing agreements, including mechanical, synchronization, and performance licenses.
⢠Music Entrepreneurship & Innovation – Strategies for building and scaling a successful music technology business, including market research, product development, and marketing.
⢠Ethics & Social Impact of Music Tech – Examination of the ethical and social implications of music technology, including issues of access, diversity, and representation.
ę˛˝ë Ľ 경ëĄ
ě í ěęą´
- 죟ě ě ëí 기본 ě´í´
- ěě´ ě¸ě´ ëĽěë
- ěť´í¨í° ë° ě¸í°ëˇ ě ꡟ
- 기본 ěť´í¨í° 기ě
- ęłźě ěëŁě ëí íě
ěŹě ęłľě ěę˛Šě´ íěíě§ ěěľëë¤. ě ꡟěąě ěí´ ě¤ęłë ęłźě .
ęłźě ěí
ě´ ęłźě ě ę˛˝ë Ľ ę°ë°ě ěí ě¤ěŠě ě¸ ě§ěęłź 기ě ě ě ęłľíŠëë¤. ꡸ę˛ě:
- ě¸ě ë°ě 기ę´ě ěí´ ě¸ěŚëě§ ěě
- ęśíě´ ěë 기ę´ě ěí´ ęˇě ëě§ ěě
- ęłľě ě겊ě ëł´ěě
ęłźě ě ěąęłľě ěźëĄ ěëŁí늴 ěëŁ ě¸ěŚě뼟 ë°ę˛ ëŠëë¤.
ě ěŹëë¤ě´ ę˛˝ë Ľě ěí´ ě°ëŚŹëĽź ě ííëę°
댏롰 ëĄëŠ ě¤...
ě죟 돝ë ě§ëŹ¸
ě˝ě¤ ěę°ëŁ
- 죟 3-4ěę°
- 쥰기 ě¸ěŚě ë°°ěĄ
- ę°ë°Ší ëąëĄ - ě¸ě ë ě§ ěě
- 죟 2-3ěę°
- ě 기 ě¸ěŚě ë°°ěĄ
- ę°ë°Ší ëąëĄ - ě¸ě ë ě§ ěě
- ě 체 ě˝ě¤ ě ꡟ
- ëě§í¸ ě¸ěŚě
- ě˝ě¤ ěëŁ
ęłźě ě ëł´ ë°ę¸°
íěŹëĄ ě§ëś
ě´ ęłźě ě ëšěŠě ě§ëśí기 ěí´ íěŹëĽź ěí ě˛ęľŹě뼟 ěě˛íě¸ě.
ě˛ęľŹěëĄ ę˛°ě ę˛˝ë Ľ ě¸ěŚě íë
